Can Disgust Be Anger for Kids?

Sherri Widen

Imagine you and a 2-year-old child are watching TV.  In the show, a man discovers that his soup contains sheep’s eyeballs.  You think to yourself, “Wow, that guy is really disgusted!”  The child says, “Wow, that guy is really mad!”  You are confident that, in fact, the guy is disgusted.  Does that mean that the child is wro2462987456_c9d17a5539_zng?  Most people assume that children and adults understand emotions in very similar ways.  But as this example shows, that may not be the case.

Although children begin using emotion words in conversation before the age of 2 and have a wide emotion vocabulary before the age of 5 years, studies of children’s use of emotion words find that they initially have two broad emotion categories: one for positive emotions and one for negative ones.  For example, 2-year-olds have been asked to say how people with different facial expressions feel.  The 2-year-olds used angry for facial expressions of anger, disgust, and sadness but not for facial expressions of happiness, surprise, or fear.  So, for young children, angry is a much broader category than it is for adults.  Older preschoolers are less likely to use angry for sadness facial expressions but it is not until children are at least 9 years old that they stop using angry for the disgust facial expression.

How do children go from two broad emotion categories (positive vs. negative) to more specific, adult-like categories?  In answering this question, it is helpful to think of emotions as “scripts” which include causes, consequences, and so on: for disgust, a person smells something foul (cause), wrinkles his or her nose (facial expression), covers his or her nose (behavior), and tries to get away from the source (consequence).  Which of these parts of the script might help children first understand that their broad negative emotion category is composed of distinct emotions?  From among all the causes, consequences, behaviors, etc., children need to notice that some things tend to co-occur.  For disgust, causes may provide that initial clue (eating or smelling something awful).  By 3 years, children know both the causes and words for disgust but it is not until they are much older that they connect the facial expression to the other parts of the disgust script.  In contrast, for sadness, by 4 years of age, children have connected the causes, consequences, facial expressions, and labels of the script.

As children move from preschool-aged to middle childhood, they learn about a wider variety of emotions, such as embarrassment, pride, and shame.  Just as younger children initially understand emotions like sadness, anger, and disgust in terms of positive vs. negative emotions, older children initially understand embarrassment, pride, and shame as a part of emotion categories that they already have.  Children (4-10 years) were asked to say how people felt when shown facial expression or told brief stories describing situations that cause these emotions.  Younger children labeled anger, contempt, disgust, and shame as angry and they labeled embarrassment as sad.  Gradually, children distinguished among the emotions and the oldest children used the expected label for all emotions (except contempt, which they labeled as angry).

So, when the 2-year-old in the sheep’s-eyeball-soup example we began with said that the man was angry, she was not wrong.  Within her understanding of emotions, the man was experiencing a negative emotion and her word for negative emotions is angry.  This response represents her current level of emotion understanding but it is also an opportunity for you to teach her something new – what disgust is.  A variety of school-based interventions work to explicitly teach children about emotions and to increase their emotion vocabulary and social skills.  Children are ready to learn about emotions and children who participate in these interventions develop stronger social and emotional skills and have improved grades than children who do not.

 Photo credit: Photo sourced from flickr via Creative Commons License https://flic.kr/p/4KDsmY

Emoting online – more than just smileys

Lisa Williams

Social media: love it or hate it, it’s here to stay. Speaking of love and hate, a surge of recent research has tackled core questions regarding emotional processes as they play out on social media.

How do we e-communicate our emotional states? Emoticons, and their more graphical cousins emoji, are one popular route. Since the 1980’s, online communicators have been using combinations of punctuation marks to convey sarcasm or a joking tone (e.g., “bugger off!” and “bugger off :-)” certainly convey different meanings). Recently, social psychologist Dacher Keltner teamed up with folks at Pixar to develop a ‘sticker’ set of animated emoji called Finch. Finches were designed to reflect the great variety of emotional experience that simply can’t be captured with semicolons, parentheses, and dashes, including love, sympathy, awe, jealousy, and embarrassment.

Not only are Finch emoji quite popular, analysis of their use presented by Dacher Keltner at the February meeting of the Society of Personality and Social Psychology reveals fascinating trends around the world. Use of the ‘loving’ Finch is highly frequent in Russia and Mediterranean regions; use of the 93571524_43b1e4070f_o‘sympathetic’ Finch is highly frequent in Australia and the Americas. What can emotion communication tell us about a culture? Apparently, quite a bit.

Emotion communication in social media is of course not limited to emoticons and emoji. The words we use also convey how we felt about a past event, currently feel at the moment, or anticipate feeling in the future. Linguistic analysis of Facebook and Twitter posts reveals a great deal about users’ emotions. An intriguing interface at the World Wellbeing Project (www.wwbp.org) allows visitors to track word usage across age groups, including, but not limited to, words with emotional tone. Analyses are based on over 75,000 Facebook users. My own cursory analysis revealed that older users use ‘grateful’ more often and ‘angry’ less often than their younger counterparts. So, the informative nature of emotional e-communication isn’t just cultural – emotive language online varies according to age groups, genders, and personality traits.

It turns out that online emotive language is not just descriptive – it can serve as an indicator of a community’s level of wellbeing. Analysis of 148 million Twitter posts conducted by a team led by Johannes C. Eichstaedt revealed that communities whose residents tweet with angry language are communities high in risk for mortality from atherosclerotic heart disease. In fact, language on Twitter did a better job of predicting cardiac disease mortality than a set of 10 predictors including demographics (e.g., gender), socioeconomic variables (e.g., income), and health risk factors (e.g., smoking).

Complemented by findings that online emotions are ‘contagious,’ it becomes clear that emotional processes on social media are potent. Controversial Facebook experiment aside, the concept that emotions spread through social media networks has received robust empirical support. Analysis of 3.5 million Twitter-like posts from China (on Weibo) 5653817859_3567ac7c8f_orevealed that joy spreads quickly through the network, but is outpaced by anger. In another study conducted on millions of Facebook users, positive posts by one user increased positive posts by that user’s friends at a factor of 1.75 (and decreased negative posts at a factor of 1.80). The factor for one user’s negative posts increasing friends’ negative posts was 1.29 (and 1.26 for decreasing friends’ positive posts). Additional evidence for emotional contagion online comes from Jonah Berger and Katherine Milkman, who analyzed the viral nature of 7,000 New York Times online articles. Content that angered readers was more likely to be shared than those that saddened readers.

It’s not as dire as it may seem: in that latter study, NYT content that resulted in a sense of awe was also shared widely. Negativity is viral – but so two is positive content – especially that which ‘wows’ us.

This isn’t to say that we are passive users of social media, subject to the emotional whims of others. Indeed, we use social media as a forum for emotion regulation: research by Benjamin K. Johnson and Silvia Knobloch-Westerwick shows that, when in feeling a bit down, individuals seek out downward social comparisons to other social media users that might be worse off (apparently in an effort to feel better about ourselves).

The emotional tenor of online communication reveals a great deal about who we are as people, as cultures, and as humankind. Not only do we influence others, we are also influenced by the emotions we share via social media. Social scientists are just beginning to understand the emotion processes that play out in social media – we are at the exciting forefront of the era of ‘big data’.

Photo credits: https://flic.kr/p/9gzy9 and https://flic.kr/p/9BBi5g